The Non-Objective tables are a collection of furniture taking inspiration from the suprematist paintings of the early 20th century.
Each table is a unique composition of materials where large shapes of colours are floating free. The pieces are represented here, into architectural configurations displaying multiple visuals and gravitational perspectives.
The tables evolve into these environnements through various dimensions and spacial orientations, reinterpreting Escher's multiple viewpoints compositions.
Those layers of colours and shapes, usually flattened in a suprematist painting can be, here, perceptible individually and through different angles.
In those ever-changing visuals and physical compositions, colour acquire a materiality, some weight and a trajectory.