About

I am interested in the space between architecture and art, and in everything that happens there: material, object, atmosphere, craft, colour and the way we experience a place.

My approach to design is instinctive but deeply considered. I look at interiors not simply as spaces to be filled, but as environments with their own character, rhythm and cultural language. I am drawn to strong identities, unexpected material combinations and details that reveal the hand behind them.

A woman with dark hair and wearing a beige blazer is looking at fabric swatches on a display wall, holding two swatches in her hand.

How I work

Each project begins with attention to what is already there.

I research its context, references, materials and cultural narratives before defining an aesthetic direction. I look at architecture, art, fashion, craft, landscapes and objects, often bringing references together that would not traditionally sit within the same conversation.

From there, I develop the project through material, colour, proportion, light, furniture and spatial rhythm. I am particularly interested in the relationship between contrasting elements: refined and raw, contemporary and historical, precise and handmade, familiar and unexpected.

Craft is an important part of this process. Whenever possible, I work closely with makers and fabricators, allowing the qualities and limitations of a material to influence the design rather than treating production as something that happens afterwards.

I want the final result to feel coherent without feeling overly resolved. There should always be something to discover.

Club chair draped with a white slipcover in a room with sheer curtains, stacks of white boxes, and a person wearing black boots and beige pants.

From architecture to objects

My background is rooted in architecture. After completing a Master’s degree in Architecture, I pursued a second Master’s degree in Product Design, expanding my interest from the spaces we inhabit to the objects and details that shape them.

This progression has naturally informed the way I work today. I move between scales, from the architecture of an interior to a piece of furniture, a lighting element or the texture of a surface. I see these elements as part of the same design language rather than separate disciplines.

My interest in design lies in this space between architecture and art. Architecture brings structure, proportion and function; product design brings intimacy, materiality and attention to detail. Art introduces another layer: emotion, interpretation and the freedom to question what something is expected to be.

A floor plan drawing of a house layout displayed on a white wall, pinned at each corner with silver pins.

Recognition

My work has been recognised and featured across design and architecture publications, reflecting an approach that sits between interiors, objects, material experimentation and contemporary culture.

What matters most to me within this recognition is the way the work is understood: not simply as a collection of interiors, but as a broader design practice concerned with atmosphere, materiality and the relationship between art and space.

→ Read more about my process on this
DesignWanted article


→Read more about my experimental visuals stories on this
InteriorJournal article

People entering or exiting through a doorway framed by luxurious beige drapes tied with ropes.